Bởi Wights End opscat-productions SoundCloud OpsCatProductions YouTube ← Coolaid Bài hát trước đó bởi tác giả này → Drum and Bowman Bài hát tiếp theo bởi tác giả này.
Được phát hành lúc 14/1/2017.
Thời lượng: 6:07.

Nghe tại Bandcamp hoặc YouTube.

Đọc tại chú thích của tác giả.

Bài hát mà Arise có liên hệ đến:

• Misery Loves Company bởi Wights End
• The Nutshack Intro bởi The Nutshack, NUMP và Sean Burnes
• RollerCoaster Tycoon Theme bởi RollerCoaster Tycoon và Allister Brimble
• MeGaLoVania bởi Toby Fox
• Waters of Nazareth bởi Justice
• Conflict! bởi Emelia K.
• Bangarang bởi Skrillex
• Hopes and Dreams bởi Toby Fox
• Unintentional Touhou bởi Cryptanark
• Midnight Suffer bởi TirantBacon
• Crank That bởi Soulja Boy
• Michael Bowman Remix bởi Michael Guy Bowman
• Final Savage All Voice bởi ARM
• Final Savage Sister, Flandre S. bởi beatMARIO
• This Saturnine Existence bởi Wheals và cookiefonster
• Moshi Moshi? bởi Cryptanark
• First Contact bởi ostrichlittledungeon
• Sweet Haunt and Hella Bass bởi cookiefonster và Pipko Fanfare
• FOCUS bởi Hadron
• Meet the Flintstones bởi The Flintstones, Hoyt Curtin, William Hanna và Joseph Barbera
• Snow halation bởi Love Live! và Takahiro Yamada
• Fruity Pebbles Jingle bởi Scott Stutzman
• Sad Jhon (Full) bởi Ragzilla

Bài hát mà Arise có trích từ nó:

• Waters of Nazareth bởi Justice
• Hopes and Dreams bởi Toby Fox
• Michael Bowman Remix bởi Michael Guy Bowman
• Final Savage All Voice bởi ARM
• Bangarang bởi Skrillex
• Sad Jhon (Full) bởi Ragzilla

Chú thích của tác giả cho Arise:

Wights End ✑ Composer

I first started work on this song after listening to the really bass heavy section in the original at 1:20 and thinking "Hey, Waters of Nazareth would be cool here" I don't care for the intro section that uses the motif from my song Misery Loves Company. It doesn't have the grandure that I wanted to achieve, but I didn't really know how to improve it. In retrospect I would probably have referenced a different song. I tried to reference Cool and New Webcomic music motifs as much as possible, but I also included a few others for shits and giggles or because a certain part of the song reminded me of it. I also tried to use iconic soundfonts and VSTs such as DVS Sax (Used in Black), Zunpets (Touhou Trumpets), Earthbound Overdriven Guitar (Used in MeGaLoVania) And two string soundfonts from Hopes and Dreams and Upward Movement. My favorite part is the mashup of Michael Bowman Remix and a U.N. Owen Was Her acapella; and my least favorite part is the transition right after that. I really like Ska music so a lot of the parts of my song are inspired by it. All and all, I'm happy with the song, though there are some things I would have done differently in retrospect.

Wights End ✑ Artist

i ship it