Bởi Erik Scheele erikscheele Bandcamp erikscheele SoundCloud jitters20 Twitter jitmakesstuff Tumblr Jitmakesstuff YouTube erikscheele.com Khác ← Respit Bài hát trước đó bởi tác giả này → Mother Bài hát tiếp theo bởi tác giả này.
Được phát hành lúc 15/8/2012.
Thời lượng: 6:29.

Nghe tại Bandcamp (trang phát hành của riêng tác giả), Bandcamp (trang phát hành chính thức) hoặc YouTube.

Đọc tại chú thích của tác giả.

Bài hát mà Negastrife có liên hệ đến:

• Showtime (Original Mix) bởi Malcolm Brown
• Cascade (Beta) bởi Tensei
• Rex Duodecim Angelus bởi Malcolm Brown
• Mother bởi Erik Scheele

Bài hát có liên hệ đến Negastrife:

trong Fandom:

• Yes, So Good bởi cookiefonster
• 『NEGASTRIFE』 ~~BEGIN CANH ACT 5~~ bởi Cecily Renns
• Tick Tock Comes the Bad Wolf bởi Cecily Renns và cookiefonster
• 26x SHOWDOWN COMBO bởi cookiefonster
• NGS.mp3 bởi Interrobang
• Enter with Caliborn: Destruction Adventure bởi Interrobang
• Hell"o" Kermit bởi StarlightCalliope
• Creata (Cool and New Synth Mix) bởi cookiefonster
• i botched up the time signature (aka unintentional alphys) bởi cookiefonster
• You Died, Idiot bởi Grace Medley
• Last Chance bởi Viko Riféo
• Pax Condesca bởi Viko Riféo
• Regicide bởi Viridian
• 🎼 Fraymotif ! bởi Tee-vee

Chú thích của tác giả cho Negastrife:

Erik Scheele ✑ booklet commentary

And now that everyone is prepared....it's time for the final fight.

This track, like the album, was perhaps a bit ambitious to try, a final boss fight with the biggest baddest dudes around, but I made it anyway. It pulls from Showtime, the original strife music, and also (ironically enough) from an idea I had when I was around 11 and wanted to make something spooky for Halloween. Let me tell you, it worked way better in this context than my original plan.

So seeing as this is the final boss fight, there wasn't really any reason to hold back while adding in instruments and layers. To this day, it's definitely the largest piece I've made in instrumentation, and also the first to make me render everything out into separate files because my computer just couldn't handle it. Suffice to say, it's a pretty large piece, for a pretty large fight. There's a rather intentional and large nod to the aesthetic in Rex Duodecim Angelus by Malcolm Brown as well, since his piece was about the trolls' final fight with the Black King at the end of their session.

And at the end, there's a little victory music to pass through and segue into the last piece...