Our Glorious Speaker Our Glorious Speaker
Our Glorious Speaker Our Glorious Speaker
Ảnh bởi Rikuru quipster-rikuru Tumblr QuipsterRikuru Twitter → Prospitian Folklore Ảnh bìa tiếp theo bởi tác giả này
Bởi Alex Rosetti
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←
Pondsquatter
Bài hát trước đó bởi tác giả này
→
Prospitian Folklore
Bài hát tiếp theo bởi tác giả này.
Được phát hành lúc 23/10/2012.
Thời lượng: 5:10.
Nghe tại Bandcamp (trang phát hành của riêng tác giả), Bandcamp (trang phát hành chính thức) hoặc YouTube.
Đọc tại chú thích của tác giả.
Bài hát mà Our Glorious Speaker có liên hệ đến: Bài hát mà nó có liên hệ đến:
Bài hát có liên hệ đến Our Glorious Speaker: Bài hát có liên hệ đến bài hát này:
- trong Official Discography: Bài hát có liên hệ đến bài hát này — trong Official Discography:
Chú thích của tác giả cho Our Glorious Speaker: Chú thích của tác giả:
Alex Rosetti ✑ booklet commentary
Much like Pondsquatter, the concept for this piece was conceived very early on in the album's life before it became Genesis Frog. It was supposed to be a theme for the Prospitians, and it still mostly is, but now the piece focuses more on their devotion to the Speaker than the citizens themselves. The chess-people of Prospit are referenced a few times in Homestuck as worshipping the Genesis Frog, and it is through perusing their lore in various updates (mostly Seer: Descend) that I got inspiration for several tracks on the album, including this one.
The music was representing devotion, so I wanted it to have the warmest, most tranquil tone it could. There are two chorale-like sections, the first being the passage the strings play in the beginning, and then later in the brass when the rest of the orchestra drops out for a while. The style of this piece was inspired by Taku Iwasaki's scores, which often feature very beautiful and lush string textures. I actually don't think I captured that very well, and in fact strayed from that idea as the piece went on. But the core of the inspiration remains and I think one can tell if they are familiar with his style. Of note is the last third of the piece which is a self-indulgent, overly-romanticized arrangement of Erik Scheele's Sarabande. It's such a beautiful piece and I knew from the day I started working on this that I wanted to include it, no matter how schmaltzy I made it sound. Give me a break, it was fun, okay?
