Prospitian Folklore Prospitian Folklore
Prospitian Folklore Prospitian Folklore
Ảnh bởi Rikuru quipster-rikuru Tumblr QuipsterRikuru Twitter ← Our Glorious Speaker Ảnh bìa trước đó bởi tác giả này → Pink Shells Ảnh bìa tiếp theo bởi tác giả này
Bởi Alex Rosetti
albatrosssoup
Bandcamp
albatrosssoup
SoundCloud
rosettimusic
Tumblr
YouTube
YouTube
albatrosssoup
Twitter
←
Our Glorious Speaker
Bài hát trước đó bởi tác giả này
→
Consorts' Intermezzo
Bài hát tiếp theo bởi tác giả này.
Được phát hành lúc 23/10/2012.
Thời lượng: 3:38.
Nghe tại Bandcamp (trang phát hành của riêng tác giả), Bandcamp (trang phát hành chính thức) hoặc YouTube.
Đọc tại chú thích của tác giả.
Bài hát mà Prospitian Folklore có liên hệ đến: Bài hát mà nó có liên hệ đến:
Bài hát có liên hệ đến Prospitian Folklore: Bài hát có liên hệ đến bài hát này:
- trong Official Discography: Bài hát có liên hệ đến bài hát này — trong Official Discography:
- trong Fandom: Bài hát có liên hệ đến bài hát này — trong Fandom:
Chú thích của tác giả cho Prospitian Folklore: Chú thích của tác giả:
Alex Rosetti ✑ booklet commentary
"Though we adore Him we shall never enjoy His beauteous Croak. We spill our blood on acres of black and white so they may cross the yellow yard. At last in Skaia's reflection through broken glass He may find the pond in which He's meant to squat." – Book in Prospit Library (from Seer: Descend)
This piece is a musical retelling of the above passage. If you read it while listening to the music, the tone should match for the most part (as long as you are reading very, very slowly). This track's melody appears several more times throughout the album, and represents the "folk tale" and more legendary aspects of the Genesis Frog as seen through His followers. Because of this I tried to make it sound like a genuine folk tune, and ended up with something vaguely resembling a tune out of Eastern Europe. It's a melancholic sort of melody, which suits the grim tone of the text it is based on. It is passed through several instruments: first a solo oboe, then the violins, a soprano recorder, and a trumpet.
After the main section is over, the piece shifts into a short woodwind chorale, and then into what I can only call a cadenza made up of tense suspended figures in the strings with an out-of-meter pulse underneath. I kind of wrote this last section accidentally, since it somehow started flowing out of the chorale and I just went with it. It seemed to have an air of urgency and importance to me, so I kept it in to represent "Skaia's reflection through broken glass", which is such a fascinating image. Broken glass has been a recurring motif in Homestuck and seems to hold important consequences every time it occurs, and the text implies it will be significant in the Genesis Frog's final destination. So the atmosphere of this final section felt significant and fitting to me.
