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Stoke the Forge Stoke the Forge

Stoke the Forge Stoke the Forge

Ảnh bởi Sylladexter sylladexter SoundCloud sylladexter Tumblr Sylladexter Twitter sylladexter DeviantArt Breeding Duties Ảnh bìa trước đó bởi tác giả này Great LOFAF Expedition of 2009 Ảnh bìa tiếp theo bởi tác giả này

Bởi Alex Rosetti albatrosssoup Bandcamp albatrosssoup SoundCloud rosettimusic Tumblr YouTube YouTube albatrosssoup Twitter Breeding Duties Bài hát trước đó bởi tác giả này Great LOFAF Expedition of 2009 Bài hát tiếp theo bởi tác giả này.
Được phát hành lúc 23/10/2012.
Thời lượng: 3:43.

Nghe tại Bandcamp (trang phát hành của riêng tác giả), Bandcamp (trang phát hành chính thức) hoặc YouTube.

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Bài hát mà Stoke the Forge có liên hệ đến:

Bài hát có liên hệ đến Stoke the Forge:

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Chú thích của tác giả cho Stoke the Forge:

Alex Rosettibooklet commentary

Why did I compose this piece? Well, mainly because I wanted something bombastic to use an anvil as percussion in. But I also wrote it because of its importance in the role of each Space player's planet and their frog breeding duties. Not only that, but it acts as a transition from the darker Breeding Duties to the lighter, more energetic Great LOFAF Expedition of 2009. More specifically, it extends the idea behind Thip of the Tongue to three tracks instead of one; it is a progression from the planet's frosty beginnings to a sudden and beautiful spring, and this piece heralds that moment. In any case, I ended up with a pretty fun piece that may not be the most impressive on the album, but it definitely serves a purpose and keeps the flow intact.

The piece opens with a brass fanfare based off the Folklore theme interspersed with anvil and bass drum hits. The decision to feature the anvil came from Dave's denizen, Hephaestus, who is referred to as "Lord of the Forge" with little explanation other than he desired access to Jade's Forge to repair the Caledfwlch. In fact, the entire piece has the feeling of hammering, since harsh gestures in the brass and strings are common in combination with liberal usage of timpani and bass drum. The entire piece is in Dorian, which is a mode I can rarely resist composing in, and it lends a big sense of adventure to it. Formally there is not a lot going on, other than a melody being repeated several times with different orchestration and transposition. An interesting moment occurs when the entire ensemble drops out and a flute solo comes in playing a lighter, more humorous version of the tune before heading towards the climax. All in all, it is a pretty standard theme with a solid tune despite the fact that nothing extraordinary happens for its duration. But hey, we wouldn't want overkill would we? I was saving that for the next track.

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